- Genre
- Comedy
- Year
- 2009
- Runtime
0
La Smorfia - Seconda Parte
Neapolitan wit meets timeless comedy in every smile.
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Synopsis
La Smorfia - Seconda Parte is a 2009 Italian comedy that serves as a continuation of the beloved classic film La Smorfia. Featuring the iconic Massimo Troisi, the movie delves into the whimsical and satirical portrayal of Neapolitan culture, blending humor with a poignant reflection on daily life and societal quirks. The story unfolds through a series of comedic sketches and vignettes, each inspired by the traditional 'smorfia'โan ancient Neapolitan numerology system often associated with the lottery. Troisi's nuanced performance brings warmth and authenticity, capturing the essence of Naples with a blend of irony and affection. With a nostalgic yet fresh approach, the film invites viewers into a playful exploration of identity, fate, and the human condition, all wrapped in a uniquely Italian comedic style.
Reviews
La Smorfia - Seconda Parte has received mixed to positive reviews, with critics praising Massimo Troisi's heartfelt performance and the film's nostalgic charm. According to IMDb, the movie holds a moderate rating, reflecting appreciation for its cultural references and humor, although some viewers found the episodic structure uneven. Rotten Tomatoes does not have a formal rating for this film, but individual critic reviews highlight its authentic depiction of Neapolitan life and Troisi's enduring charisma. Some reviewers, such as those from Italian film journals, commend the sequel for maintaining the spirit of the original while offering fresh comedic insights. However, a few critics argue that the film occasionally leans too heavily on regional humor, which may not resonate with international audiences. Metacritic does not list this title, indicating limited exposure in mainstream critical circuits outside Italy. Overall, La Smorfia - Seconda Parte appeals primarily to fans of the original and those interested in Italian cultural cinema, praised for its wit and heartfelt performances despite narrative inconsistencies.
