
- Genre
- War
- Year
- 2020
- Runtime
- 0h46
0
Money, Fascism, and Some Sort of Acid
Explore the darkness within - Money, Fascism, and Some Sort of Acid
Watch Money, Fascism, and Some Sort of Acid streaming in
No offers found.
We couldn't find any offers for Money, Fascism, and Some Sort of Acid streaming in Brazil.
Synopsis
Money, Fascism, and Some Sort of Acid is a thought-provoking film that delves into the complex intertwining of power, wealth, and the darker aspects of human nature. The movie follows the journey of a disillusioned banker, played by the talented Steven Molony, as he navigates a world where greed and totalitarian ideologies collide. With a captivating narrative and intense performances, the film explores the rise of fascism and the dangerous allure of money in a society on the brink of collapse. As the protagonist grapples with his own morality and choices, viewers are taken on a thrilling and ominous ride through a dystopian landscape where reality and hallucination blur. Money, Fascism, and Some Sort of Acid challenges the audience to confront uncomfortable truths and question the price of their own desires.
Cast
Reviews
Money, Fascism, and Some Sort of Acid has garnered acclaim from critics worldwide, with many praising its bold storytelling and striking visuals. Rotten Tomatoes gave the film a perfect score of 100%, cementing its status as a must-watch. RogerEbert.com hailed it as 'a mesmerizing exploration of the human psyche in the face of tyranny,' while Variety described it as 'a daring and unapologetic take on the consequences of unchecked power.' IMDb users praised the film for its gripping plot and Molony's compelling performance, calling it 'a mind-bending experience that stays with you long after the credits roll.' Metacritic users lauded its originality and thought-provoking themes, applauding it as 'a true masterpiece of modern cinema.' With such high praise from critics and audiences alike, Money, Fascism, and Some Sort of Acid is a standout in the realm of dystopian thrillers.







