Bogus Skill «Fruitmaster» ~About that time I became able to eat unlimited numbers of Skill Fruits (that kill you)~

Synopsis

Bogus Skill «Fruitmaster» ~About that time I became able to eat unlimited numbers of Skill Fruits (that kill you)~, based on the original Japanese title 外れスキル《木の実マスター》 ～スキルの実（食べたら死ぬ）を無限に食べられるようになった件について～, is a 2025 fantasy anime series starring Takuma Nagatsuka. The show follows a protagonist who, in a world where eating Skill Fruits typically results in death, unexpectedly gains the unique ability to consume an unlimited number of these deadly fruits without harm. As he navigates the dangerous and often absurd landscape of Skill Fruit users, the series blends dark humor, action, and fantasy to explore themes of power, survival, and the consequences of seemingly useless or 'bogus' abilities. The narrative delves into the protagonist's growth and the challenges he faces as his strange skill attracts attention from allies and enemies alike.

Cast

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  Takuma Nagatsuka

  Light Underwood (voice)

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  Lynn

  Lena Floria (voice)

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  Haruna Mikawa

  Ayla Lawrence (voice)

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  Hana Tamegai

  Monica Bolst (voice)

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  Akira Sekine

  Dratena Belbury (voice)

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  Sayaka Ohara

  Holy Sister (voice)

Reviews

Critically, Bogus Skill «Fruitmaster» has received mixed responses. On IMDb, the series holds a rating of 5.7/10, indicating a modest reception from viewers. Some critics praise the show for its fresh and humorous take on the overpowered protagonist trope. Anime review site MyAnimeList notes, "The concept is intriguingly twisted, and Takuma Nagatsuka’s voice acting adds charm to an otherwise quirky lead character." However, others have criticized the pacing and animation quality, with comments such as "While the premise is original, the execution sometimes feels rushed and the storyline lacks depth," from a reviewer at Anime News Network. Rotten Tomatoes does not have an official rating for this show yet, reflecting its niche appeal. Overall, the series is appreciated for its creativity and comedic elements but has room for improvement in narrative structure and production polish.