The Lava Field

Synopsis

The Lava Field (original title: Hraunið) is a gripping Icelandic crime drama released in 2014, featuring Arna Magnea Danks in a pivotal role. The series delves into the cold and haunting landscapes of Iceland, where tensions and mysteries unfold amidst the stark lava fields. With a focus on complex characters and intricate storytelling, the show explores themes of crime, betrayal, and the profound psychological impact of the environment on the people inhabiting this rugged terrain. Balancing suspense with cultural depth, The Lava Field invites viewers into a world where secrets simmer beneath the surface, compelling detectives and residents alike to confront their darkest fears.

Cast

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  Arna Magnea Danks

  Össi

• 

  Salome R. Gunnarsdottir

  Helena

• 

  Unnur Birna Jónsdóttir

  Hafdis

• Margrét Þorgeirsdóttir

  Þórdís Katla

• 

  Heida Reed

  Gréta

• Jón Páll Eyjólfsson

  Skipperinn

Reviews

Critically, The Lava Field has received a mixed but generally positive reception. On IMDb, the series holds a respectable rating of 6.7 out of 10, reflecting a solid appreciation from audiences familiar with Nordic noir. Critics have praised the show for its atmospheric cinematography and the authentic portrayal of Icelandic settings, which serve as a powerful backdrop enhancing the narrative’s mood and tension. The performances, especially that of Arna Magnea Danks, have been commended for bringing depth and emotion to the story. However, some critics have noted pacing issues and a narrative that occasionally leans on familiar crime drama tropes, which can detract from its originality. While it may not have garnered extensive scores on aggregators like Rotten Tomatoes or Metacritic, reviews indicate that the show appeals particularly to fans of Scandinavian detective stories, offering a slower, more psychological take compared to other genre entries. Overall, The Lava Field is seen as a commendable contribution to Icelandic television, impressive in its atmospheric tension and character-driven storytelling despite some narrative predictability.