Dog Lay Afternoon streaming
Genre
Drama
Year
1976
Runtime
1h15

0

Metascore

Dog Lay Afternoon

Where desire defies boundaries and confronts the taboo.

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Synopsis

Dog Lay Afternoon, originally titled Bestialità, is a provocative and controversial 1976 Italian drama starring Philippe March. The film explores complex themes of human desire, vulnerability, and the boundaries of affection through an unorthodox narrative that challenges conventional storytelling. Set against a gritty backdrop, the story dives into intense psychological and emotional experiences, reflecting social undercurrents of the era. With its raw and candid portrayal, Dog Lay Afternoon aims to confront audiences with moral ambiguity and the darker facets of human nature. The film's unfiltered approach invites viewers to question societal norms and the limits of personal connection.

Cast

  • Philippe March

    Paul

  • Juliette Mayniel

    Juliette Mayniel

    Yvette

  • Enrico Maria Salerno

    Enrico Maria Salerno

    Ugo

  • Paul Müller

    Paul Müller

    Jeanine's father

  • Ilona Staller

    Ilona Staller

    Eva

  • Franca Stoppi

    Franca Stoppi

    Jeanine's Mother

Reviews

Critical reception of Dog Lay Afternoon has been largely mixed to negative, with many reviewers expressing discomfort or criticism of its subject matter and execution. On IMDb, the film holds a rating of 4.7/10, indicating generally unfavorable opinions from audiences. Critics often describe the movie as challenging to watch due to its explicit content and unconventional narrative choices. Some reviews highlight the film's daring attempt at exploring taboo themes, noting its ambition and boldness. However, others criticize it for a lack of coherent storytelling and for sensationalizing sensitive topics. Rotten Tomatoes does not have a dedicated rating for this niche title, reflecting its obscurity and limited release. Metacritic also lacks aggregated reviews, underscoring its status as a cult or marginal film rather than a mainstream success. Overall, viewers tend to approach the film as a provocative art piece with significant flaws, appealing mainly to audiences interested in experimental or controversial cinema rather than general moviegoers.