3 years after

Synopsis

3 Years After (Danish: 3 år efter) is a 1948 Danish drama directed by Alice O'Fredericks and Sten Broman, featuring actor Angelo Bruun in a compelling post-war narrative. The story delves into the lives of individuals grappling with the repercussions of World War II, three years after the conflict's end. It explores themes of resilience, reconciliation, and the ongoing quest for normalcy in a transformed society. Through its nuanced portrayal of personal and societal challenges, the film paints a vivid picture of Denmark's attempts to rebuild and heal, capturing the emotional complexity of the era with poignant performances and period-authentic settings.

Cast

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  Angelo Bruun

  Hans P. Isling, Arkitekt

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  Ib Schønberg

  Andreas Hylmark, Direktør

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  Karin Nellemose

  Erica, Hylmarks Kone

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  Henry Nielsen

  Andersen, Sogneraadsform.

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  Ove Sprogøe

  Hotelkarlen

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  Buster Larsen

  Stationskarlen

Reviews

The film 3 Years After has received a modest reception from critics and audiences alike. According to IMDb, it holds a rating of 6.8/10 based on user reviews, indicating overall favorable impressions tempered by some critiques. Reviewers often praise Angelo Bruun's heartfelt performance, which effectively conveys the emotional depth required for the post-war narrative. The direction by Alice O'Fredericks and Sten Broman is noted for its classical storytelling approach, lending the film a steady pace and period authenticity. However, some critiques point out that the film's pacing can feel slow by contemporary standards, and certain plot elements appear predictable. On Rotten Tomatoes, while no official critic score is available, user feedback generally appreciates the film's historical significance and performances, although they sometimes cite dated filmmaking techniques. Metacritic does not host a score for this title, reflecting its relative obscurity outside Danish cinema circles. Overall, 3 Years After is viewed as a respectful and somber reflection on post-war experiences, standing out more as a cultural artifact than mainstream cinema.