- Genre
- War
- Year
- 2002
- Runtime
- 1h40
0
Kedma
In the dawn of a nation, survival ignites the fight.
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Synopsis
Kedma is a 2002 Israeli war drama directed by Amos Gitai and starring Andrei Kashker. The film is set during the 1948 Arab-Israeli War and follows a group of Jewish refugees who arrive in the newly declared State of Israel seeking to fight and establish their homeland. As they make their way through a war-torn landscape, the group confronts the harsh realities of conflict, displacement, and survival. The narrative explores themes of identity, violence, and the human cost of war, offering a raw and unfiltered glimpse of the early days of Israelโs statehood. With its stark cinematography and powerful performances, Kedma presents a contemplative and somber portrayal of a pivotal historical moment.
Cast
Reviews
Critically, Kedma has received mixed reviews, reflecting a divide in audience and critic receptions. On Rotten Tomatoes, the movie holds a 33% approval rating, indicating a generally unfavorable consensus among critics. Some reviewers praised the film for its authentic atmosphere and compelling cinematography, particularly highlighting its ability to vividly depict the turmoil of war. However, many found the pacing slow and the narrative difficult to engage with, noting that the filmโs heavy focus on atmosphere sometimes comes at the expense of character development. IMDb users rate Kedma 6.1 out of 10, suggesting a lukewarm reception from the general audience who appreciated its ambitious scope but found it lacking in emotional connection. Metacritic scores the film at 36 out of 100, placing it within the category of generally unfavorable reviews. Some critics described Kedma as a challenging watch due to its minimal dialogue and bleak tone, though others admired its unflinching portrayal of historical events and complex moral questions. Overall, Kedma is seen as a thought-provoking but polarizing film that resonates more strongly with viewers interested in historical and political cinema rather than mainstream audiences.
