
- Genre
- Year
- 1978
- Runtime
- 1h11
0
Semi document: Tôkyô in yoku no yoru
Tokyo’s seductive night unveils secrets beneath neon lights.
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Synopsis
"Semi Document: Tôkyô in yoku no yoru" is a 1978 Japanese film featuring Rina Nagisa that delves into the complex and often provocative nightlife of Tokyo. The movie portrays the intricate dynamics of desire, human relationships, and the darker facets of urban existence during a transformative era. Combining semi-documentary style storytelling with fictional elements, it offers a raw and unfiltered look at the lives of individuals navigating Tokyo's nocturnal underbelly. The film's narrative explores themes of sensuality, moral ambiguity, and the pursuit of connection, providing viewers with a compelling and at times challenging cinematic experience reflective of 1970s Japanese cinema's boundary-pushing tendencies.
Reviews
Critical reception of "Semi Document: Tôkyô in yoku no yoru" has been mixed, owing largely to its explicit content and niche appeal within the pink film genre. Some reviewers praise the film for its authentic depiction of Tokyo's night scene and its daring approach to exploring erotic themes, noting Rina Nagisa's compelling performance as a highlight. For instance, niche film commentators have highlighted the semi-documentary style as a novel technique that adds a layer of realism absent in many contemporaries. However, mainstream critics often point out that the film's pacing and narrative cohesion suffer due to its focus on atmosphere over plot development. On platforms like IMDb, the movie holds a modest rating, with viewers divided between appreciation of its cultural significance and criticism of its slow narrative progression. Reviews on specialized forums emphasize the film's role within the pink film movement of the 1970s, recognizing its contribution to the genre despite its limited accessibility to general audiences. Overall, the movie is regarded as an intriguing artifact of Japanese cinema history, favored by enthusiasts interested in erotic and avant-garde films but less so by casual viewers.
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