The Red and the White

Synopsis

The Red and the White (original title: Csillagosok, Katonák) is a visually stunning Hungarian war drama directed by Miklós Jancsó, released in 1967. Set during the Russian Civil War in 1919, the film explores the brutal conflict between the Bolshevik Red Army and the counter-revolutionary White forces. Told through a series of meticulously choreographed long takes, the narrative focuses on the senseless violence and the cyclical nature of war, showcasing the futility and human cost behind ideological struggles. With József Madaras delivering a powerful performance, the film stands out for its artistic cinematography and a minimalist yet poignant storytelling style that offers a unique, contemplative perspective on historical wartime brutality.

Cast

• 

  József Madaras

  Hungarian Commander

• 

  Tibor Molnár

  Andras

• 

  András Kozák

  Laszlo

• 

  Juhász Jácint

  Istvan

• 

  Anatoli Yabbarov

  Captain Chelpanov

• 

  Sergey Nikonenko

  Cossack Officer

Reviews

The Red and the White is highly regarded for its artistic ambition and unique directorial approach. With an impressive 95% rating on Rotten Tomatoes, critics have praised Miklós Jancsó's masterful use of long, uninterrupted takes, which serve to immerse viewers in the chaos and absurdity of war. The film's visual composition and choreography are often described as hypnotic and poetic, elevating it beyond traditional war films. IMDb users rate it at 7.5/10, reflecting appreciation from cinephiles who admire its experimental storytelling and anti-war message. Some viewers, however, find the minimal dialogue and deliberate pacing challenging, with Variety noting that "its abstract style may alienate those looking for conventional narrative structure." Metacritic reviews highlight its status as a seminal work in Eastern European cinema, celebrating its thematic depth yet cautioning about its slow tempo. Overall, The Red and the White is acclaimed for its striking visuals and profound commentary on the human condition during wartime, securing its place as a classic art-house film, though it may not appeal to all audiences due to its stylistic demands.