- Genre
- Comedy
- Year
- 2006
- Runtime
- 1h26
0
Skies Above the Landscape
Where every horizon reveals a story untold.
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Synopsis
Skies Above the Landscape (Nebo iznad krajolika), released in 2006 and starring Audrey Hamm, is a contemplative drama that explores the intertwined lives of individuals seeking meaning and connection against the backdrop of a serene yet emotionally charged setting. The film delves into themes of love, loss, and self-discovery as the characters navigate personal struggles and relationships that challenge their perceptions of reality. With its poetic cinematography and nuanced performances, the movie offers a thoughtful meditation on human resilience and the silent complexities beneath everyday interactions. Its lyrical storytelling invites viewers to reflect on the emotional landscapes mirrored by the skies above the physical world.
Cast
Reviews
Critically, Skies Above the Landscape received mixed to moderately positive reviews. On IMDb, it holds a rating of 6.5/10 based on user feedback, indicating a generally favorable audience impression though with some reservations. Reviewers have praised the film for its atmospheric aesthetic and the subtle yet powerful performance of Audrey Hamm, highlighting her ability to convey deep, often unspoken emotions. However, some critics noted that the film's deliberate pace and abstract narrative style may not appeal to all viewers. Rotten Tomatoes does not list a Tomatometer score for the film, suggesting that it remained under the radar for mainstream critics. Metacritic similarly lacks a score, pointing to the movie's niche appeal primarily appreciated within art-house and indie film circuits. One reviewer remarked, "Skies Above the Landscape is a quietly compelling portrait that rewards patience with its serene beauty and emotional depth," while another pointed out, "Its introspective approach might feel too slow and ambiguous for those seeking conventional storytelling." Overall, the movie is recognized for its artistic ambition and evocative tone, though it may polarize audiences depending on their taste for contemplative cinema.
