They Call Us Misfits

Synopsis

They Call Us Misfits (original title: Dom kallar oss mods) is a poignant Swedish drama from 1968 directed by Stefan Jarl. The film offers a raw and unfiltered look into the lives of marginalized youth in Stockholm during the late 1960s. It chronicles the daily struggles, friendships, and inner turmoil of a group of rebellious teenagers, led by Kenneth 'Kenta' Gustafsson, who battle against societal rejection and harsh realities. The narrative emphasizes themes of alienation, poverty, and the search for identity, providing a powerful social commentary that remains relevant. With its authentic portrayal and documentary-style realism, the movie captures the spirit and challenges of Swedish counterculture during that era.

Cast

• Kenneth 'Kenta' Gustafsson

  Kenta

• Gustav 'Stoffe' Svensson

  Stoffe

• Jan 'Jajje' Klingryd

• 

  Stefan Jarl

  Narrator

Reviews

They Call Us Misfits has garnered generally positive evaluations from both audiences and critics, noted for its candid approach to social issues and compelling performances. On IMDb, the film holds a respectable rating of 7.3/10, indicating favorable viewer reception. Critics often praise the movie’s authentic depiction of youth disenfranchisement and its semi-documentary style, which brings an emotional depth often missing in fictional portrayals. Rotten Tomatoes does not have an aggregated score, but individual critic reviews highlight the film’s raw energy and frankness in addressing taboo topics for its time. Some reviewers have remarked on the film’s rough pacing and lack of traditional narrative structure, which may challenge viewers accustomed to more conventional storytelling. Metacritic does not list a score, reflecting the film’s status as a niche classic rather than a mainstream hit. Nevertheless, many appreciate its historical significance and sociocultural insights. In summary, They Call Us Misfits is regarded as a courageous and influential film, offering a window into the lives of those often overlooked by society, though its stylistic choices may not appeal to all audiences.