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A savage antiwar fable of greed, lies, and conquest.
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Jean-Luc Godard's The Carabineers (Les Carabiniers) is a bleak, satirical war comedy-drama about two poor farmers, Ulysses and Michel-Ange, who are lured into military service by the promise of riches, land, and power. Once enlisted, they discover that war delivers exploitation rather than glory. Godard turns their journey into a harsh antiwar fable, using postcards from the battlefield, shifting locations, and deadpan irony to expose how propaganda sells conquest as opportunity. Starring Marino Masé as Ulysses, the film follows the men as they chase material dreams while the reality of violence and deception steadily undercuts them. The result is one of Godard's sharpest early political films, less interested in action than in the machinery of persuasion and the human cost behind it.
Reception for The Carabineers is generally favorable, though it remains one of Jean-Luc Godard's less widely seen early features. Rotten Tomatoes currently lists the film at 80% on the Tomatometer, based on 15 critic reviews, with a 68% Popcornmeter from more than 1,000 audience ratings. That split suggests critics have tended to value its intellectual ambition, antiwar message, and formal daring, while general audiences are somewhat more divided. Contemporary and retrospective critical writeups often describe the film as stark, abrasive, and uncompromising, but also incisive in the way it attacks war myths, patriotism, and greed. The film's reputation fits neatly within Godard's early 1960s run: admired for its ideas and visual wit, but not typically treated as an easy or sentimental watch. Overall, it seems best regarded as a challenging but rewarding political satire rather than a conventional crowd-pleaser.