I, Frankenstein

I, Frankenstein is a modern reimagining of Mary Shelley's iconic tale. Set in a world where supernatural powers clash, the film follows Adam (Aaron Eckhart), the creation of Dr. Victor Frankenstein, who is now caught in an ancient war between gargoyles and demons. Seeking to uncover his purpose and place in a world that shuns him, Adam discovers he is the key to humanity's survival. As he battles the forces of evil led by the demon prince Naberius (Bill Nighy), Adam must embrace his unique existence as both human and monster. In a city teetering on the edge between darkness and light, he must navigate a treacherous landscape of betrayal, ambition, and unexpected allies, ultimately facing the question of what it means to be truly alive. This thrilling adaptation merges classic horror elements with modern action, crafting a unique narrative that explores identity and existence against a backdrop of relentless conflict.

I, Frankenstein has received a largely negative reception from critics and audiences alike. According to Rotten Tomatoes, the film holds an abysmal score of 5%, indicating that only a small fraction of reviewers found it favorable. The film’s IMDb rating sits at 5.1/10, suggesting it garnered average user feedback. Metacritic offers a score of 30/100, further reflecting the film's poor reception. Notably, The New York Times described the film as 'a muddled mix of special effects and cliché dialogue,' criticizing its failure to deliver a coherent narrative. Additionally, Variety described the film as 'visually bland and narratively empty, struggling to establish its identity from the very start.' While some viewers appreciated the action sequences and Eckhart's performance, many felt that it lacked depth and creativity. Collider stated, 'Despite some intriguing concepts, the execution leaves much to be desired,' encapsulating the film's struggle to find its footing amidst the chaos of action and horror tropes. Overall, I, Frankenstein may appeal to fans of genre films, but it largely missed the mark for critics and general audiences alike.