Reasonable Doubts

Justice speaks volumes beyond words.

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Synopsis

Reasonable Doubts is a legal drama television series that originally aired in 1991, starring Marlee Matlin as Assistant District Attorney Tess Kaufman and Mark Harmon as Detective Dicky Cobb. The series centers on the professional and sometimes personal relationship between Tess and Cobb as they work together to solve crimes and prosecute offenders in Chicago. A unique aspect of the show is Tess Kaufman’s character, who is deaf, adding a distinctive perspective on communication and justice within the legal system. The series explores themes of justice, ethics, and the challenges faced by law enforcement and the legal community while highlighting the importance of trust and partnership in solving complex cases.

Cast

Reviews

Reasonable Doubts garnered a mixed to positive reception among critics and viewers alike. On IMDb, the show holds a respectable rating of 7.8/10, reflecting solid fan approval for its engaging storytelling and strong performances, particularly by Marlee Matlin. Critics praised the series for its innovative inclusion of a deaf protagonist in a legal drama—an uncommon representation at the time—which brought a fresh and authentic perspective to television. The New York Times lauded Matlin’s performance as “compelling and heartfelt,” noting that the show did well in combining traditional legal drama elements with the unique communication dynamics between the leads. However, some reviews pointed out that the show occasionally fell into familiar procedural tropes and could have benefited from deeper development of secondary characters. Rotten Tomatoes does not have an aggregated rating for the series, which is typical for older TV shows, but fan forums and retro reviews often commend it for its thoughtful character dynamics and respectful portrayal of disability. Overall, Reasonable Doubts is remembered as a groundbreaking show with commendable lead performances and socially conscious storytelling, though it may feel somewhat dated to modern audiences used to faster-paced legal dramas.