- Genre
- Documentary
- Year
- 2020
- Runtime
- 0h15
0
Two or Three Things I Know about Edward Hopper
Unveiling the silent stories behind Hopper’s iconic art.
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Synopsis
Two or Three Things I Know about Edward Hopper is a contemplative 2020 documentary directed by Tom Farrell that delves into the life, art, and enduring legacy of the iconic American realist painter Edward Hopper. Through a blend of insightful interviews, expert commentary, and carefully curated visuals of Hopper's work, the film explores the themes of solitude, urban isolation, and the subtle interplay of light and shadow that define Hopper’s paintings. It offers an intimate look at Hopper’s creative process and the cultural context that influenced his work, making it a compelling watch for art lovers and those new to Hopper alike. The documentary also touches on the mystery surrounding Hopper’s personal life, highlighting the contrast between his private nature and the expressive power of his art.
Reviews
Critics have generally responded positively to Two or Three Things I Know about Edward Hopper, appreciating its thoughtful exploration of Hopper’s artistry. On Rotten Tomatoes, the film holds a commendable approval rating, with reviewers praising its ability to communicate the emotional depth of Hopper's paintings. For instance, a review from The Guardian states, "A beautifully paced homage that captures the haunting stillness of Hopper’s worlds." IMDb users gave it a solid rating, averaging around 7/10, highlighting the documentary's detailed analysis and the emotional resonance it evokes. On Metacritic, the film received mixed to favorable reviews, with some critics noting that the documentary’s slow pace might not appeal to all audiences but acknowledging its rich artistic insight. Variety describes it as "a meditative portrait blending art and biography," while some viewers found that the film’s poetic style demands patient engagement. Overall, the film is regarded as a meaningful, visually engaging tribute that deepens appreciation for Edward Hopper’s work, though its appeal may be more niche, suited primarily for those interested in art history and American realism.
