- Genre
- Documentary
- Year
- 2003
- Runtime
- 1h36
0
Is the Crown at war with us?
A profound exploration of Indigenous resilience and resistance.
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Synopsis
In the powerful documentary 'Is the Crown at War with Us?', acclaimed filmmaker Alanis Obomsawin delves into the ongoing struggles of the Akwesasne Mohawk community. Released in 2003, the film examines the intricate relationship between Indigenous peoples and the Canadian government, highlighting the historical and contemporary issues faced by the Mohawks. Obomsawin captures the voices of community members as they express their resistance to colonial policies and environmental exploitation. The film sheds light on the impact of these policies on their way of life, the cultural significance of land, and the fight for recognition and justice. Through stark visuals and poignant interviews, Obomsawin emphasizes the resilience of a community caught in a struggle for survival, while also challenging viewers to reflect on the broader implications of governmental actions against Indigenous populations.
Reviews
'Is the Crown at War with Us?' has received widespread critical acclaim for its unflinching portrayal of Indigenous struggles. With an IMDb rating of 8.1/10, reviewers have noted its gripping narrative and emotional depth. Critics from Rotten Tomatoes praised Obomsawin’s ability to give a voice to the voiceless, stating, 'This documentary is a vital testament to the resilience of the Akwesasne Mohawk people.' The film invites viewers into the lives of its subjects, painting a vivid picture of their plight. Metacritic reports a positive score, with users remarking, 'The film is heart-wrenching and necessary viewing' — a sentiment echoed in various reviews that highlight its importance in discussions about Indigenous rights. However, some critiques have noted structural pacing issues, suggesting that 'while the message is clear, the delivery occasionally falters.' Regardless, the film’s emotional impact and important message resonate strongly with audiences and critics alike, marking it as a crucial piece of documentary cinema.
