- Genre
- Drama
- Year
- 1960
- Runtime
- 1h27
0
Blood Is Dry
Thirst for power reveals the darkest depths of humanity.
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Synopsis
Blood Is Dry (1960), directed by Yoshishige Yoshida and starring Keiji Sada, is a compelling Japanese drama that delves into the moral complexities faced by individuals ensnared in power struggles and societal corruption. The film centers on a man who rises through ruthless manipulation and ambition, uncovering the personal costs of his relentless pursuit of success. Set against the backdrop of post-war Japan, the narrative explores themes of greed, betrayal, and the human thirst for survival, all while painting a stark picture of societal decay. Blood Is Dry combines taut storytelling with nuanced character development, offering a gripping glimpse into human vulnerability and the consequences of choices made in desperation.
Cast
Reviews
Blood Is Dry holds a respectable standing among classic Japanese cinema enthusiasts, reflected by its IMDb rating of 7.1/10, indicating generally favorable audience reception. Critics have praised the film for its intense narrative and social commentary, highlighting Yoshishige Yoshida's direction which artfully conveys the psychological and moral struggles of its characters. The performances, especially by Keiji Sada, have been noted for their depth and authenticity. Some reviewers appreciate the film’s unflinching look at human nature and societal critique, calling it "a powerful, unvarnished drama that remains relevant today." On the other hand, a few critics point out the film's pacing as occasionally slow and its narrative style as dense, which might challenge viewers accustomed to contemporary pacing. Rotten Tomatoes does not have a consensus or rating for this older, less mainstream film, but film scholars and classic movie forums often commend it as an important work in the Japanese New Wave movement. Overall, Blood Is Dry is regarded positively for its thematic ambition and compelling storytelling, even if it demands patience and attention from the audience.
