- Genre
- Fantasy
- Year
- 2003
- Runtime
- 1h32
0
Erotic Agent II
Forbidden moonlit desires unlock a dangerous, seductive treasure from beyond.
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Synopsis
Erotic Agent II (聊齋艷譚之月宮寶盒) is a 2003 Hong Kong erotic fantasy that blends supernatural folklore with sensual drama, anchored by a central performance from Bessie Chan Ming-Kwan. Drawing on motifs from the Liaozhai (Strange Tales) tradition, the film revolves around a mysterious Moon Palace treasure box whose presence upends lives and ignites desires. Against a period-styled backdrop, the story interweaves elements of romance, temptation, and otherworldly intrigue as characters confront longing, taboo, and the consequences of curiosity. The film emphasizes atmosphere and visual sensuality—costume, set design, and moody cinematography create a lush frame for its more adult-oriented material—while the narrative leans on mythic touchstones rather than conventional realism. Fans of erotic fantasy and East Asian supernatural tales will find the film’s blend of folklore and eroticism its chief appeal, while viewers seeking tightly plotted drama may find the focus on mood and spectacle more prominent than narrative clarity.
Cast
Reviews
Overall critical and audience reception for Erotic Agent II has been mixed to tepid, with most available metrics and commentary coming from viewer-driven platforms rather than wide mainstream critical coverage. On IMDb the film holds a 5.3/10 rating, reflecting a split between viewers who appreciate the film’s mood and lead presence and those who find story and pacing lacking (IMDb: "5.3/10"). Major English-language aggregators offer limited information: there is no established Tomatometer or Metascore for this title, and it has not been widely reviewed in mainstream Western outlets. Commentators who view the film positively tend to highlight Bessie Chan Ming-Kwan’s screen presence, the film’s production design, and its evocative, folkloric atmosphere—praising the movie for delivering stylized erotic fantasy rooted in Liaozhai motifs. Conversely, negative responses commonly point to thin plotting, uneven pacing, and a reliance on erotic set-pieces over character development. Regional genre reviewers and viewers note that the film will most appeal to audiences already inclined toward Hong Kong Category III erotic-fantasy fare rather than general arthouse or mainstream viewers. In short, Erotic Agent II is often described as visually suggestive and moody but narratively light; it is recommended for fans of period erotic fantasy, while those seeking substantial dramatic depth may be disappointed.
