- Genre
- Romance
- Year
- 1979
- Runtime
- 1h20
0
The City Accepted
Where every street tells a story of belonging and change.
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Synopsis
"The City Accepted" (1979), featuring Mikhail Chigaryov, is a Soviet drama that delves into the complex social dynamics of urban life during a transformative period in Soviet history. The film explores themes of community, acceptance, and the struggles faced by individuals trying to find their place within the constraints of the city environment. Through a nuanced narrative, it portrays the intersecting lives of its characters as they navigate both personal and societal challenges, reflecting broader issues of identity, belonging, and resilience. With its contemplative pace and character-driven storytelling, the movie offers an insightful look into the human condition against the backdrop of a changing cityscape.
Cast
Mikhail Chigaryov
Cтанислав Павлович Тихонов, капитан, старший инспектор УГРО
Inna Alenikova
Маргарита Борисовна Ушакова, медицинский эксперт (озв. Галина Польских)
Aleksandr Porokhovshchikov
Анатолий Иванович Скуратов
Viktor Shulgin
Григорий Иванович Севергин, подполковник
Nikolay Grabbe
Халецкий
Georgiy Nikolaenko
Саша Задирака, водитель милицейской машины
Reviews
Critically, "The City Accepted" has garnered a mixed reception, reflected by its IMDb rating of 6.1/10. Reviewers often commend Mikhail Chigaryov's compelling performance, which anchors the film's emotional depth. The storytelling is noted for its authenticity and the way it captures the essence of Soviet urban life during the late 1970s. However, some critics point out that the film's pacing may be slow for modern audiences and that its narrative style may come across as heavy or overly contemplative. Rotten Tomatoes does not have a rating for this title, indicating its relatively niche or limited international exposure. Metacritic reviews for the film are also unavailable, which is common for many Soviet-era films that have not been widely distributed outside their original market. Despite this, aficionados of classic Soviet cinema appreciate "The City Accepted" for its atmospheric depiction of social dynamics and its subtle critique of urban modernization and community.
