- Genre
- Drama
- Year
- 2015
- Runtime
- 2h20
0
Haram
Passion, art, and desire collide in a haunting journey.
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Synopsis
Haram is a 2015 Malayalam-language romantic drama directed by Vinod Sukumaran, starring Fahadh Faasil in the lead role. The film intricately weaves the stories of Vinayachandran, an artist who is deeply passionate about his craft, and Annie, a woman with a free-spirited nature and complex emotional layers. Set against the backdrop of urban life, Haram explores themes of love, longing, betrayal, and the struggles of artistic expression. The narrative delves into the emotional and psychological depths of its characters, portraying their vulnerabilities and desires with subtlety. The film stands out for its strong performances, especially by Fahadh Faasil, and its contemplative approach to storytelling, making it a unique experience in Malayalam cinema.
Cast
Reviews
Haram received mixed to negative reviews from critics and audiences alike, with the IMDb rating standing at 4.4/10, indicating a lukewarm reception. While some appreciated Fahadh Faasil's nuanced performance and the film's artistic ambitions, many reviewers pointed out its slow pacing and lack of coherent narrative flow. Critics from popular review platforms noted that the film's attempt to explore complex emotional terrains fell short due to a lack of strong screenplay and engaging storytelling. For instance, some reviewers remarked that 'despite Fahadh's earnest portrayal, Haram struggles to maintain audience interest throughout its runtime.' On Rotten Tomatoes and Metacritic, while there is limited specific data, the general consensus among Malayalam cinema forums suggests the film did not resonate widely, with comments highlighting it as 'an experimental venture that may appeal only to niche audiences.' The film’s cinematography and music were often cited as positive elements, contributing to the overall mood. However, the fragmented narrative and slow pace were points of criticism, making Haram a film that might not satisfy mainstream viewers but could be intriguing for those interested in more avant-garde cinema.
