Hay Amores Que Matan

Passion, betrayal, and deadly secrets — where love can kill.

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Synopsis

Hay Amores Que Matan (2000) is a Venezuelan telenovela led by Carolina Tejera that explores the darker side of passion and obsession. Set against a backdrop of family secrets, social rivalry and dangerous desire, the series follows characters whose romantic entanglements spiral into deception, vengeance and moral consequences. Tejera anchors the story as a woman caught between forbidden love and the responsibilities that threaten to destroy everything she holds dear. The narrative weaves together multiple relationships and intersecting storylines typical of classic telenovelas: jealous ex-lovers, hidden pasts that resurface, and choices that force characters to confront the cost of their impulses. With heightened emotion, dramatic confrontations and cliffhanger twists, Hay Amores Que Matan delivers the intense, character-driven melodrama that fans of Latin American serial dramas expect, while also emphasizing performance-driven scenes that foreground Tejera’s presence and the emotional stakes of each romance.

Cast

Reviews

Comprehensive English-language critical coverage for Hay Amores Que Matan is limited; mainstream aggregators such as Rotten Tomatoes and Metacritic do not maintain critic-score pages for many early-2000s Venezuelan telenovelas, and Hay Amores Que Matan is no exception. The title does appear in global databases like IMDb, where it is catalogued with cast and episode information and accompanied by audience reviews. Among viewers and regional media that covered the series at the time, responses tended to be mixed but consistent in theme: Carolina Tejera’s central performance is frequently highlighted as a strong point, with many noting her emotional intensity and ability to carry the show’s more dramatic scenes. Positive commentary focused on the telenovela’s effective use of melodramatic staples—suspenseful turns, romantic tension, and high-stakes personal conflicts—that appealed to fans of the genre.

Criticisms from viewers and some regional commentators pointed to familiar weaknesses: occasionally predictable plotting, reliance on genre conventions, and pacing that some found uneven across episodes. These critiques describe Hay Amores Que Matan as delivering reliable telenovela thrills but not necessarily breaking new creative ground. Overall reception can be summarized as favorable among core telenovela audiences who appreciate strong performances and emotionally charged storytelling, and more reserved among those seeking innovative narratives or subtler drama. If you need verbatim critic quotes or numeric ratings from specified outlets (for example, direct critic quotes from newspapers or exact scores from Rotten Tomatoes, Metacritic or IMDb), I can look up and provide them — however, in many cases for regional telenovelas of this era, mainstream English-language aggregator coverage is sparse and contemporary reviews are primarily in Spanish-language press and audience forums.