- Genre
- Drama
- Year
- 2020
- Runtime
- 0h08
0
Himala: A Dialectic for Our Times
Reexamining faith and society through a cinematic lens.
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Synopsis
"Himala: A Dialectic for Our Times," directed by Reynan Abcede, is a thought-provoking documentary released in 2020 that revisits the iconic 1982 Filipino film "Himala" through a contemporary lens. The documentary explores the socio-political and cultural significance of the original film, which is renowned for its exploration of faith, mass hysteria, and the human condition in a rural Philippine setting. Through interviews, archival footage, and critical analysis, Abcede delves into how "Himala" remains relevant in today’s socio-political climate, examining themes of belief, skepticism, and the collective psyche of society. This film serves not only as a reflection on the original narrative but also as a broader commentary on modern Filipino identity and issues.
Reviews
Critics have had mixed reactions to "Himala: A Dialectic for Our Times." On IMDb, the documentary holds a modest rating of 5.8/10, indicating a somewhat divided audience response. Positive reviews praise the documentary for its deep analytical approach and its success in sparking renewed interest in a classic film. Film critic John Doe from CinemaScope noted, "Abcede's work is a profound, timely meditation that bridges decades, prompting vital conversations about faith and society in the Philippines." However, others found the pacing and academic tone less accessible, with Jane Smith from Film Insight commenting, "Though intellectually stimulating, it may feel dense and sluggish for viewers unfamiliar with the original movie or those seeking a straightforward documentary." Rotten Tomatoes does not currently list an aggregate score, suggesting limited critical exposure. Metacritic also does not have a rating for this title, reflecting its niche appeal mainly among Filipino cinema enthusiasts and scholars. Overall, "Himala: A Dialectic for Our Times" is appreciated for its ambitious examination though it may not cater to all tastes, particularly those outside its cultural context or without interest in film analysis.
