- Genre
- Horror
- Year
- 2014
- Runtime
- 1h20
0
H.P. Lovecraft: Two Left Arms
Dive into the surreal shadows of Lovecraft's dark imagination.
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Synopsis
"H.P. Lovecraft: Two Left Arms" is a 2014 Italian fantasy film directed by Stefano Bessoni, starring Yvonne Sciò. The film creatively reimagines the world of famed horror writer H.P. Lovecraft through a surreal and atmospheric narrative. Combining elements of fantasy, gothic style, and psychological horror, the movie explores themes of creativity, madness, and the blurred boundaries between reality and fiction. The story centers around a mysterious protagonist who finds herself intertwined with Lovecraft's haunting mythos, as she navigates a dreamlike journey filled with enigmatic symbols and unsettling encounters. The film's distinct visual style emphasizes its eerie and otherworldly ambiance, making it a unique tribute to Lovecraftian lore.
Reviews
The reception of "H.P. Lovecraft: Two Left Arms" has been mixed, as reflected in its IMDb rating of 5.5/10. Critics often praise the film's visual creativity and atmospheric qualities but note that its narrative can be opaque and inaccessible for some viewers. On IMDb, user reviews highlight the movie’s artistic ambition, with comments like, "A visually rich film that captures the unsettling mood of Lovecraft's stories," but also mention pacing issues and convoluted storytelling. Professional reviews are scarce, reflecting the film's niche appeal within the festival circuit and cult film audience. Rotten Tomatoes does not list a rating due to limited critical coverage. However, viewers who appreciate experimental and art-house cinema often commend the film's ability to evoke a haunting sense of mystery and the uncanny. Metacritic lacks a formal score, emphasizing the film’s status as an obscure and polarizing entry in the fantasy/horror genre. Overall, "H.P. Lovecraft: Two Left Arms" garners appreciation for its stylistic boldness and atmospheric depth, while divided opinions persist regarding its narrative clarity and mainstream accessibility.
