- Genre
- Western
- Year
- 1972
- Runtime
- 1h30
0
Now They Call Him Sacramento
In a lawless land, one man stands for justice.
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Synopsis
Now They Call Him Sacramento (original title: I bandoleros della dodicesima ora) is a 1972 Italian Western film starring Michael Forest. The movie delves into the gritty life of Sacramento, a skilled gunslinger navigating the perilous world of outlaws and lawmen in the Old West. Amidst betrayal, revenge, and shifting alliances, Sacramento seeks his place, battling personal demons while striving to maintain his honor in a lawless land. The narrative explores themes of justice, identity, and survival, set against a rugged backdrop iconic of Spaghetti Westerns of the era, providing audiences with classic shootouts, tense standoffs, and complex characters intertwined in a tale of vengeance and redemption.
Cast
Reviews
Now They Call Him Sacramento has received mixed reviews from critics and audiences alike. On IMDb, the film holds a rating of 4.7/10, indicating generally unfavorable reception from users. Critics have often pointed out the film’s adherence to many Spaghetti Western tropes without offering significant innovation or depth. For example, some reviewers on IMDb noted that while the film features competent performances, including Michael Forest’s portrayal of Sacramento, the plot can feel predictable and lacks the emotional resonance found in more acclaimed Westerns of the time.
Rotten Tomatoes lacks an aggregated critic score for this niche film, reflecting its obscurity and limited release outside Europe. However, enthusiasts of the genre appreciate the movie’s authentic Western atmosphere and its classic shootout sequences, with some acknowledging the film as a minor cult classic for fans of early 1970s Italian Westerns. Metacritic does not list this movie, further suggesting its marginal footprint in mainstream critical discourse.
Overall, Now They Call Him Sacramento is viewed as a standard entry in the spaghetti Western canon — appreciated more for its ambiance and genre elements than for its storytelling originality or technical execution. It holds nostalgic value for genre aficionados but may not appeal broadly to contemporary audiences unfamiliar with or indifferent to Italian Westerns.
