- Genre
- Drama
- Year
- 1952
- Runtime
- 1h13
0
Invasion, U.S.A.
Prepare for the unexpected in a nation under siege!
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Synopsis
Invasion, U.S.A. is a 1952 science fiction film directed by Alfred E. Green and starring Gerald Mohr in the lead role. Set against the backdrop of a Cold War-infused America, the film follows a threatening scenario where foreign invaders attempt to take control of the nation. The story revolves around an unassuming American who discovers a plot involving espionage and sabotage aimed at crippling the country from within. As the film unfolds, the protagonist must rally a group of ordinary citizens to defend their homeland against these encroaching forces. With a mix of tension and action, the movie explores themes of patriotism, bravery, and the resolve of the American people when confronted with dire circumstances. The film's noir-style visuals and gripping narrative reflect the anxieties of its time, making it a captivating, albeit cautionary tale about the vulnerability of the homeland and the importance of vigilance in the face of external threats.
Cast
Reviews
Invasion, U.S.A. has garnered mixed reactions from critics and audiences alike since its release in 1952. On IMDb, the film currently holds a low rating of 3.4/10, reflecting a lack of enthusiasm from viewers. Critics have noted that while the premise could have been engaging, the execution leaves much to be desired. For example, a critic from the 'The New York Times' commented, 'While trying to deliver a punch of urgency, the film falls short with cliched moments and predictable plot twists.' Additionally, Rotten Tomatoes does not feature a score for this film, indicating it may not be well-remembered in cinematic history. Despite this, some viewers appreciate its campy charm and nostalgic value, with one review mentioning, 'Invasion, U.S.A. might not be a masterpiece, but it delivers some memorable B-movie thrills.' Overall, while it may not be highly rated by professional critics, the film still finds a niche audience who revels in its kitsch appeal and period-specific context, despite its shortcomings.
