The Black Sheep

Synopsis

The Black Sheep (La pecora nera) is a 1968 Italian comedy-drama starring Vittorio Gassman as Alberto, a charming and somewhat reluctant scoundrel navigating the complexities of family loyalty and personal identity. Set against the backdrop of post-war Italy, the film explores themes of rebellion, social expectations, and the struggle to break free from traditional constraints. Alberto’s journey is both humorous and poignant, as he confronts the expectations imposed on him while forging his own path. Known for its sharp wit and Gassman's compelling performance, The Black Sheep combines comedic elements with a critical look at societal norms, making it a resonant piece of Italian cinema from the late 1960s.

Cast

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  Vittorio Gassman

  Mario Agasti / Filippo Agasti

• 

  Lisa Gastoni

  Alma - moglie di Mario

• 

  Adrienne La Russa

  Kitty

• 

  Giampiero Albertini

  Santarini

• 

  Ennio Balbo

  Suocero di Agasti

• 

  Umberto D'Orsi

  Roberto Franceschini 'Pampero'

Reviews

Critical reception for The Black Sheep has been mixed to moderately positive. On IMDb, the film holds a rating of 6.4/10 based on viewer reviews, indicating overall favorable but somewhat divided opinions. Many critics praise Vittorio Gassman's performance, highlighting his charismatic and nuanced portrayal of Alberto as a standout element. The film’s blend of comedy and drama has been appreciated for its subtle social commentary, with some reviewers noting that it captures the tensions of Italian society during that era effectively. However, some criticism targets the film's pacing and narrative cohesion, describing it as uneven at times. Rotten Tomatoes does not have a formal score for the movie due to its vintage status and limited contemporary reviews, but classic film enthusiasts often regard it as a cult favorite with a unique charm. Overall, The Black Sheep is valued for its historical context, Gassman’s performance, and the way it balances humor with thoughtful undertones, though it may not appeal universally due to its period-specific style and slower progression.

See also

Maine Pyaar Kyun Kiya?

Main Krishna Hoon

David Blaine: Real or Magic

Brent Weinbach: Appealing to the Mainstream