The Doll

Synopsis

The Doll (original title: La Poupée) is a 1962 French-Italian film directed by Jacques Baratier, featuring Zbigniew Cybulski in a compelling lead role. The film blends elements of surrealism, fantasy, and drama to explore profound themes of identity, desire, and societal alienation. Set in a visually striking, almost dreamlike world, The Doll follows the story of a man who becomes captivated by an enigmatic woman who resembles a doll, leading to a complex exploration of human emotion and mechanical existence. With its innovative narrative structure and stylistic audacity, the film challenges conventional storytelling and invites viewers into a reflective cinematic experience that examines the boundaries between reality and illusion.

Cast

• 

  Zbigniew Cybulski

  Colonel Octavio Prado Roth / Cotal, the rebel

• Sonne Teal

  Marion Moren / The Doll

• 

  Claudio Gora

  Guillermo Moren, banker

• Catherine Milinaire

  Mirt

• Jean Aron

  Professor Palmas

• 

  Sacha Pitoëff

  Sayas

Reviews

The Doll has garnered a mixed reception from critics and audiences alike, reflected in its IMDb rating of 5.4/10. On Rotten Tomatoes, while there is limited data due to its niche status and vintage release, the film is often noted for its artistic ambition and visual inventiveness, though some viewers find its narrative elusive and inconsistent. A review from Classic Film Review (paraphrased) suggests that the film's strength lies in its surreal aesthetic and strong lead performance by Zbigniew Cybulski, but also cautions that the plot’s abstract nature may alienate mainstream audiences. Film scholars appreciate its contribution to avant-garde cinema, praising its thematic depth and stylistic experimentation, although noting it might feel slow-paced and perplexing for viewers seeking a traditional storyline. IMDb user reviews oscillate between admiration for its artistic vision and frustration over its narrative opacity. Overall, The Doll is recommended for cinephiles interested in experimental European cinema and fans of 1960s art films, but might not appeal to those expecting a straightforward drama or romance.