Lehár: The Merry Widow

Synopsis

Lehár: The Merry Widow, directed by Brian Large and featuring the legendary soprano Joan Sutherland, is a classic operetta brought to life in a 1988 production that captures the enchanting world of love and romance. Set in the vibrant Paris of the early 20th century, the story follows the beautiful and wealthy widow Hanna Glawari, who returns to her homeland – a small Balkan state – only to discover the depths of desire from her countrymen. With a delightful score by Franz Lehár, filled with memorable melodies and exuberant duets, the operetta explores themes of love, heartbreak, and the complexities of relationships amidst humorous misunderstandings. Joan Sutherland’s stunning performance as Hanna brings both poignancy and charm to the character. Supported by an outstanding cast including the vibrant baritone Thomas Allen, this staging delights audiences with its spectacular sets, colorful costumes, and lively choreography, making it a timeless celebration of musical theater. The Merry Widow is not only a tale of romantic pursuits but also a commentary on societal expectations and the power of love to transcend barriers.

Cast

• Joan Sutherland

  Anna Glawari

• Ronald Stevens

  Danilo Danilovitch

• Anson Austin

  Camille de Rosillon

• Graeme Ewer

  Njegus

Reviews

Lehár: The Merry Widow has been met with acclaim from various critics and audiences alike since its release. The production, featuring Joan Sutherland, received a rating of 7.8/10 on IMDb, indicating a positive reception overall. The BBC praised Sutherland's performance as 'a triumph of vocal beauty and theatrical charm,' highlighting her ability to embody the complexities of her character. Opera News noted the richness of Lehár’s music, stating, 'Each aria flowed seamlessly, and the orchestration brought the operetta to vibrant life.' Critics from The New York Times remarked on the visual aspects, describing it as 'a feast for the eyes, with sumptuous costumes that transport you to the lavish world of Parisian high society.' On the flip side, some criticized the pacing of the production, citing occasional lull moments that could make it feel drawn out. Nevertheless, audiences left with smiles, and many expressed that the heartwarming story coupled with Sutherland’s vocal artistry made this rendition a must-see for operetta lovers. Rotten Tomatoes does not have a specialized score for this production, but audience feedback consistently rates it highly, celebrating its artistic integrity. Overall, Lehár: The Merry Widow stands as a beloved production that charms with its humor and music.