- Genre
- Drama
- Year
- 2000
- Runtime
- 1h25
0
Bad
In a world of choices, what defines good and bad?
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Synopsis
In the provocative film Bad (original title: 'Mal'), released in 2000 and directed by the talented Louis Venegas, the audience is drawn into the complex life of a young woman played by Pauline Cadell. The story unfolds as she grapples with her tumultuous relationships and the struggles of self-identity amidst societal pressures. Set against a vivid backdrop, the film examines themes of love, betrayal, and the quest for authenticity in a world that often dictates how one should feel and behave. As she navigates her way through love affairs and emotional turmoil, the protagonist's journey echoes a resonant critique of modern social norms. 'Bad' shines a light on the darker aspects of human nature and the pervasive influence of desire, leaving viewers questioning what it truly means to be good or bad in a morally ambiguous society. With its compelling narrative and raw performances, the film invites audiences to reflect on their own experiences and choices, making it a gripping watch that lingers long after the credits roll.
Cast
Reviews
The film Bad has evoked a spectrum of responses from critics, ultimately holding a mixed position in cinematic evaluations. On IMDb, it bears a rating of 5.3/10, indicative of divided opinions. Critics note the film's ambition in exploring controversial themes. 'While not fully executed, the film offers a daring narrative that challenges its audience,' said a reviewer on Rotten Tomatoes. Another critic remarked, 'Cadell's performance is striking, though the story occasionally loses its momentum.' However, some audience members pointed out flaws, stating, 'The plot seemed disjointed at times and lacked the character development needed.' Despite average ratings, the film's artistic vision did earn appreciation. Overall, while 'Bad' might not resonate with everyone, its unique themes and exploration of identity provide room for engaging discussions. Metacritic users rated it 52/100, hinting that it straddles the line between artful intention and audience expectation, making it a thought-provoking piece for those who dare to view it.
