
- Genre
- Action
- Year
- 2010
- Runtime
- 1h50
0
The Kingdom of Solomon
A legendary king’s faith shapes an empire’s destiny.
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Synopsis
The Kingdom of Solomon (2010), directed by Shahram Assadi and starring Amin Zendegani, is an Iranian epic historical drama that brings to life the legendary story of Solomon, a wise and powerful king blessed with divine gifts. Set in ancient times, the film explores Solomon's journey as he unites his people and builds a magnificent kingdom, showcasing his wisdom, leadership, and spiritual connection with God. The movie artfully weaves elements of religious lore with grand visual effects, portraying not only epic battles and architectural marvels but also the moral and spiritual challenges faced by Solomon. It reflects themes of faith, justice, and divine destiny, aiming to offer audiences a majestic and contemplative cinematic experience rooted deeply in Middle Eastern history.
Cast
Reviews
The Kingdom of Solomon has received mixed reviews from critics and audiences alike. On IMDb, it holds a moderate rating of 6.1/10, indicating a generally average reception. Critics have praised the film for its ambitious scale, impressive visual effects, and the compelling portrayal of its central character by Amin Zendegani. For example, users on IMDb have highlighted the film's impressive cinematography and powerful storytelling, noting its appeal to those interested in historical and religious epics. However, some viewers and reviewers have pointed out shortcomings in pacing and dialogue, which they felt detracted from the overall impact of the narrative. Additionally, some critics at Metacritic and other platforms noted that while the film’s production values were high, the screenplay occasionally leaned towards didactic and heavy-handed delivery, limiting emotional engagement. Rotten Tomatoes does not have enough critical consensus to provide a score, reflecting its relatively limited reach in Western markets. Overall, The Kingdom of Solomon is appreciated for its cultural significance and epic scope but tends to resonate more with viewers who have a particular interest in historical or religious cinema rather than general audiences seeking a fast-paced thriller or drama.









