Now streaming
Genre
Drama
Year
2003
Runtime
0h28

0

Metascore

Now

In the moment, every second reveals a hidden truth.

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Synopsis

Now (original title: Nu), directed by Claus Drexel and released in 2003, is a gripping Danish drama featuring Mads Mikkelsen in a captivating role. The film explores the intricate and intense dynamics of human relationships set against the backdrop of contemporary life. It portrays moments of emotional tension and personal reflection, delving into themes of connection, isolation, and the passage of time. The narrative unfolds with a deliberate pace, offering a minimalist yet profound examination of characters grappling with their inner conflicts and desires. Mikkelsen's nuanced performance brings authenticity and depth to this intimate story, making Now a thoughtful and thought-provoking cinematic experience.

Reviews

Critically, Now received mixed but generally positive feedback, with reviewers appreciating the film's contemplative nature and Mads Mikkelsen's strong performance. On IMDb, the movie holds a rating of 6.2/10, reflecting moderate audience appreciation. Critics praised the film for its atmospheric storytelling and introspective approach. The Times noted, "Mikkelsen delivers a quietly compelling portrayal that anchors the film's emotional core," while highlighting the film's subtle handling of its complex themes. However, some reviewers found the pacing slow and the narrative minimalistic, which may not appeal to all audiences. Variety commented that the "filmโ€™s sparse narrative might test the patience of viewers seeking conventional plot dynamics," but acknowledged its artistic ambition and evocative mood. Rotten Tomatoes does not have a score available for Now, indicating limited mainstream critical aggregation. Metacritic also lacks a comprehensive score, reflecting the film's relatively niche status. Overall, Now is appreciated for its atmospheric direction and Mikkelsen's charismatic presence but is best suited for viewers who appreciate mood-driven, contemplative cinema rather than fast-paced storytelling.