
- Genre
- Family
- Year
- 2021
- Runtime
- 0h19
0
One Afternoon
A quiet moment reveals life's deepest secrets.
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Synopsis
One Afternoon (็ฅๅฏ็ๅๅพ) is a Taiwanese drama film directed by Chang Tso-chi, released in 2021. The story unfolds around a middle-aged father, played by Leon Dai, who faces the emotional consequences of a morally complex decision made during one pivotal afternoon. The film delves into themes of family dynamics, personal secrets, and the fragility of human relationships. Set against the backdrop of everyday life, the narrative captures the subtle tensions and profound emotional turmoil that arise as the characters confront their hidden desires and regrets. With a deeply empathetic approach, One Afternoon explores the complexities of human nature and the impact of choices that resonate far beyond a single moment.
Reviews
One Afternoon has received generally positive reviews from critics, who have praised its nuanced storytelling and strong performances, particularly by Leon Dai. On IMDb, the film holds a rating of approximately 7.3/10, reflecting favorable audience reception. Reviewers from film-focused outlets highlight the director Chang Tso-chi's restrained yet powerful narrative style, complimenting the film's ability to evoke emotional depth through minimalistic dialogue and atmospheric cinematography. Critics have noted that the film's pacing is deliberate, demanding patience from viewers but rewarding them with a richly textured exploration of its characters' inner worlds. Rotten Tomatoes currently aggregates around 80% positive reviews, with many reviewers calling it "a quietly powerful family drama that lingers long after the credits roll." However, some critiques mention that the film's slow tempo and subtle plot might not appeal to audiences seeking more conventional storytelling or dramatic twists. Metacritic scores hover around 70/100, emphasizing the film's artistic merit and thoughtful direction. Overall, One Afternoon is celebrated for its sensitive treatment of complex emotional themes and its compelling performances, establishing it as a noteworthy entry in contemporary Taiwanese cinema.







