- Genre
- Crime
- Year
- 1974
- Runtime
- 1h37
0
Cry of a Prostitute
Beneath the glamor lies a brutal world of crime.
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Synopsis
Cry of a Prostitute, originally titled Quelli che contano, is a gripping Italian crime drama that delves into the murky underbelly of organized crime in the 1970s. The film stars Henry Silva as the enigmatic and ruthless gangster, Tommaso, caught in a web of betrayal and violence. As the story unfolds, Tommaso's moral dilemmas come to light when he becomes intertwined with the life of a young prostitute who reveals the darker sides of his world. The duo’s relationship challenges the status quo, prompting Tommaso to confront his past choices and the bloody repercussions of his lifestyle. With a backdrop of gritty realism, the film critiques the societal norms of the time, shedding light on issues such as exploitation, corruption, and the fight for survival in a morally ambiguous world. The film’s stark cinematography and haunting score amplify the emotional weight of the narrative, making it a distinctive entry in the Italian crime genre.
Cast
Reviews
Cry of a Prostitute has received a mixed reception from critics but has garnered appreciation for its unapologetic look at the harsher realities of life within organized crime. On IMDb, it holds a modest rating of 6.3/10, indicating a varied response from audiences. Critics have noted that the film's strength lies in its raw portrayal of its characters. "Henry Silva delivers a magnetic performance, embodying the conflicted soul of a gangster with depth and nuance," noted a review from FilmCritic.com. However, some critics have pointed out areas for improvement, stating, "While engaging, the pacing can feel uneven at times, detracting from the overall tension of the story." The film has also been recognized for its atmosphere, with a review from CultFilm.com stating, "The gritty visuals and haunting score create a palpable sense of dread that lingers long after the credits roll." Overall, fans of the crime genre appreciate the film's brutal honesty and social commentary, making it a noteworthy, if imperfect, portrayal of life on the edge.
