King David

A shepherd’s rise to king — destiny, devotion and power.

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Synopsis

Rei Davi (King David) is a 2012 Brazilian television miniseries produced by RecordTV that dramatizes the life and rise of the biblical figure David, with Leonardo Brício in the title role. The series follows David’s journey from humble shepherd to warrior and ruler, exploring his faith, personal struggles, leadership challenges and the complex relationships that shape his path. Produced with the scope and visual ambition typical of RecordTV’s biblical dramas, the show emphasizes large-scale sets, period costumes, battle sequences and a sweeping musical score while blending family and political intrigue. While rooted in the biblical narrative, the series also highlights character-driven moments — David’s loyalties, moral dilemmas and the burdens of power — presented through serialized storytelling aimed at television audiences. The production’s emphasis on spectacle and melodrama makes it accessible to viewers who enjoy historical and religious epics, while its focus on interpersonal conflict and spiritual themes situates it among contemporary adaptations of ancient stories. No spoilers are included here, but the series centers on transformation, leadership and the cost of destiny.

Cast

Reviews

Overall reception for Rei Davi was mixed. Audience response on user-driven platforms reflects modest enthusiasm tempered by criticism: "IMDb: 5.4/10" (user rating). Many viewers and commentators praised the series’ production values — its costumes, set design and cinematic ambition were commonly cited as strengths, giving the biblical story a visually rich presentation. Fans of RecordTV’s religious dramas noted that Rei Davi continues the network’s tendency toward large-scale visuals and emotive musical scoring, elements that help the show feel epic and theatrical.

Critics and some viewers pointed to weaknesses as well. Frequent criticisms include a melodramatic tone, uneven pacing, and occasional lapses in narrative focus; some reviewers felt the series prioritized spectacle over subtlety in characterization. Others observed that dramatic liberties and teleplay-style scenes made the historical and biblical material feel adapted for modern television melodrama rather than strict historical fidelity. English-language aggregator coverage is limited: major U.S. critic aggregators such as Rotten Tomatoes and Metacritic do not list a consolidated critics’ score for the series (Rotten Tomatoes: no aggregate score available; Metacritic: no listing), so much of the documented reception comes from Brazilian press and viewer ratings. In short, Rei Davi is often recommended for viewers who appreciate grand religious epics and strong production design, while those seeking tightly focused, critically acclaimed historical drama may find the series uneven. Audience ratings (IMDb 5.4/10) reflect this divided response between admiration for spectacle and criticism of storytelling choices.