- Genre
- Drama
- Year
- 2018
- Runtime
- 1h24
0
Martyr
Facing pain, faith, and hope in a fragile world.
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Synopsis
Martyr (2018), originally titled شهيد, is a Lebanese drama directed by Mazen Khaled starring Carol Abboud. The film follows Ahmad, a young man struggling with a chronic illness, whose life takes a dramatic turn after an unexpected accident. As he grapples with his physical limitations and the emotional turbulence that follows, the story poignantly explores themes of identity, faith, and the search for meaning in adversity. Set against the backdrop of contemporary Beirut, Martyr offers an intimate and raw portrayal of personal suffering intertwined with societal pressures, reflecting on how an individual confronts existential challenges while seeking connection and purpose.
Reviews
Martyr has been generally well-received for its intimate storytelling and powerful performances, particularly Carol Abboud's portrayal, which has been highlighted as deeply moving and authentic. On IMDb, the film holds a rating of 6.4/10, suggesting a mixed to positive reception from audiences. Critics have praised the film’s poetic cinematic style and its contemplative approach to themes of pain and resilience. The Hollywood Reporter noted that the film "delivers a haunting and introspective journey into the human condition, though its pacing might challenge some viewers." Rotten Tomatoes does not have an aggregated score due to limited reviews, but indie film critics have remarked on the film’s slow-burning narrative and strong emotional core. Some viewers have found the film's subtle metaphors and minimalist narrative style compelling, while others noted that the storytelling might feel opaque or abstract for those expecting a conventional drama. Metacritic currently lacks a score for Martyr, indicating the film’s niche appeal within arthouse circuits. Overall, Martyr is acknowledged for its artistic ambition and the nuanced exploration of hardship but appeals primarily to viewers appreciative of meditative and symbolic filmmaking rather than mainstream audiences.
