- Genre
- Horror
- Year
- 2001
- Runtime
- 1h32
0
Subconscious Cruelty
Exploring the darkest depths of desire and cruelty.
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Synopsis
"Subconscious Cruelty" is a controversial experimental horror film directed by Mitch Davis, released in 2001. The movie explores the darkest recesses of human desire, illustrating graphic and surreal vignettes that delve into themes of pain, pleasure, and the grotesque. With a narrative that is non-linear and symbolic, it defies conventional storytelling, instead presenting disturbing and visceral imagery designed to evoke a profound psychological response. The film challenges viewers with its confrontational content, exploring taboo subjects within the subconscious mind. It is intended for a mature audience, willing to engage with its provocative and unsettling atmosphere.
Cast
Mitch Davis
Male Performer (segment "Rebirth") / Gloved Hand (segment "Right Brain / Martyrdom")
Christopher Piggins
Businessman (segment "Right Brain / Martyrdom") / Doppelganger (segment "Right Brain / Martyrdom")
Sophie Lauziรจre
Woman On Slab (segment "Ovarian Eyeball")
Anne-Marie Belley
Hand (segment "Ovarian Eyeball")
Brea Asher
Sister (segment "Human Larvae")
Ivaylo Founev
Brother (segment "Human Larvae")
Reviews
"Subconscious Cruelty" has elicited very mixed reactions from critics and audiences alike. According to IMDb, the movie holds a rating of 4.8/10, reflecting a largely negative reception. Critics frequently note that the filmโs disturbing imagery and nonlinear structure make it a challenging watch. Some reviewers describe it as an artistic exploration of extreme themes, praising its boldness and distinctive visual style. However, many find the content gratuitous and excessively graphic, which overshadows its artistic ambitions. Rotten Tomatoes does not provide a score due to limited mainstream reviews, but niche horror forums often highlight it as a cult film appreciated for its shock value and boundary-pushing approach. Metacritic similarly lacks a rating for the title, indicating its obscurity in broader critical circles. While some viewers commend it for pushing cinematic boundaries and confronting taboo subjects, the filmโs alienating style and graphic content limit its appeal to a very specific audience.
