
- Genre
- Horror
- Year
- 1989
- Runtime
- 1h34
0
The Dead Come Home
Once you enter, the dead will never let you leave.
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Synopsis
Released in 1989, The Dead Come Home is a chilling horror film that weaves a tale of suspense and dread as it follows a group of friends who return to their hometown only to discover a sinister presence lurking in the shadows. As they delve deeper into the dark secrets of their past, supernatural events begin to unfold, triggering terrifying confrontations that challenge their understanding of reality. The film explores themes of friendship, loss, and the haunting nature of unresolved trauma, all set against a backdrop of eerie settings that captivate viewers. With its atmospheric cinematography and a haunting score, 'The Dead Come Home' immerses the audience in a world where the line between the living and the dead becomes increasingly blurred, making for a gripping horror experience that leaves a lasting impact.
Cast
Reviews
The reviews for The Dead Come Home are mixed, with critics noting both the film's ambitions and its shortcomings. On IMDb, the film holds a rating of 5.2/10, reflecting a divided audience response. Some reviewers found the film engaging, appreciating its attempt to blend supernatural elements with personal drama, stating, 'The character development adds layers to the horror, making it more relatable.' Critics from 'Rotten Tomatoes' describe it as 'a film that tries to evoke fear through atmosphere rather than outright scares,' highlighting its moody visuals and sound design. However, not all feedback has been favorable; some viewers critiqued the pacing, saying, 'The film drags in the second act and loses momentum.' Furthermore, 'Metacritic' echoes this sentiment with a score suggesting mixed or average reviews, indicating that while some appreciate its thematic depth, others see it as a missed opportunity. In summary, 'The Dead Come Home' captivates some with its intriguing premise and atmospheric presentation, while leaving others unsatisfied with its execution.





