- Genre
- Drama
- Year
- 1973
- Runtime
- 1h12
0
The World of Geisha
Behind the elegance, desire and secrets entwine.
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Synopsis
The World of Geisha (1973), directed by Tatsumi Kumashiro and starring Junko Miyashita, is a provocative Japanese pink film that delves into the clandestine lives of geishas during the early 20th century. Set against the backdrop of a traditional geisha house, the film explores themes of desire, power dynamics, and societal expectations. It portrays the complex relationships between the geishas and their patrons, revealing a world filled with both allure and melancholy. The film combines erotica with a nuanced narrative, offering a glimpse into a fading cultural institution and the personal struggles within it, framed by beautiful cinematography and period detail.
Cast
Reviews
Critical reception of The World of Geisha remains mixed, reflecting its niche genre and explicit content. On IMDb, the film holds a modest rating of 5.4/10, indicating a polarized response from viewers. Some critics appreciate the movie's historical context and visual style; for example, film scholar Jasper Sharp describes it as "a compelling insight into the darker undercurrents of the geisha system, delivered with Kumashiro's characteristic boldness." However, others find the narrative pacing uneven and the erotic elements overshadowing deeper storytelling. Rotten Tomatoes does not have sufficient critic reviews to provide a consensus, which is common for cult and pink film titles. Metacritic also lacks aggregated scores, signaling limited mainstream critical coverage. Viewer comments often note the film's artistry and its candid depiction of sexuality, while acknowledging it may not appeal to all audiences due to its explicit nature and cultural specificity. Overall, The World of Geisha is regarded as a significant piece within Japanese erotic cinema for its atmospheric and provocative approach, though it remains a film best suited for viewers interested in the period and genre rather than mainstream entertainment.
