Now, Daphne

Synopsis

"Now, Daphne" (original title "Traverser la nuit") is a 2019 French drama directed by Éléonore Sainton, starring Stéphanie Michelini. The film poignantly explores the emotional journey of Daphne, a transgender woman grappling with sudden upheaval when an unexpected event forces her into a perilous and uncertain night. As she navigates the shadows and complexity of her surroundings, Daphne encounters fragments of her past and the challenges of identity and acceptance. The narrative delves deeply into themes of resilience, loneliness, and transformation, offering a raw and intimate portrayal of marginalization and self-discovery. Poetic yet grounded, the film captures the fragility of human connection against the backdrop of the night’s stark realities.

Cast

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  Stéphanie Michelini

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  Myriam Boyer

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  Gaëlle Hausermann

• Fabien Richard

Reviews

Critically, "Now, Daphne" has been recognized for its sensitive and compelling storytelling. On IMDb, the film holds a respectable score of 7.4/10 based on user ratings, highlighting appreciation for its emotional depth and Stéphanie Michelini’s nuanced performance. Critics have noted the subtlety and poetic realism imbued in Éléonore Sainton's direction. While the film may divide audiences with its slow-burning narrative style and minimalist dialogue, many reviewers praise its authentic representation of transgender experience, which remains seldom explored in cinema. The Guardian commended Michelini's portrayal as "powerful and tender," emphasizing the film's strength in exploring invisibility and resilience. Some critics, however, have pointed out that the film’s pacing and ambiguity may alienate viewers seeking more conventional storytelling or clarity. Rotten Tomatoes does not have a wide release rating available, reflecting the film's niche art-house positioning but niche reviewers have acknowledged its significance and artistic merit. Overall, "Now, Daphne" is regarded as a hauntingly poetic and socially conscious piece that resonates deeply with audiences attuned to character-driven, humanistic dramas.