Rabu hoteru: Tadaima manshitsu

Synopsis

Rabu Hoteru: Tadaima Manshitsu (Love Hotel: Now Fully Occupied) is a 1984 Japanese drama directed by Shinji Sōmai and featuring Asami Segawa. The story unfolds within the transient world of a love hotel, a popular yet private retreat for couples in urban Japan. The film delicately explores the intertwining lives and emotional complexities of various characters who pass through the hotel’s rooms. It presents a poignant and intimate look at human connection, desire, and loneliness, capturing the ephemeral nature of relationships against the backdrop of societal expectations. Through its nuanced storytelling and evocative atmosphere, the movie provides a compelling snapshot of contemporary Japanese urban life in the 1980s.

Cast

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  Asami Segawa

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  Daisuke Iijima

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  Azusa Nakayama

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  Bunmei Tobayama

• Chiyoko Iwase

• Kaoru Orimoto

Reviews

Though not extensively reviewed internationally, Rabu Hoteru: Tadaima Manshitsu holds a niche appreciation among cinephiles interested in Japanese cinema of the 1980s. On IMDb, it has garnered an average rating around 6.5/10, reflecting a moderate reception from a small number of viewers. Critics often praise the film for its atmospheric cinematography and thoughtful character studies, highlighting director Shinji Sōmai’s skill in capturing the subtleties of human emotion. The performances, particularly by Asami Segawa, receive commendation for their sincerity and depth. However, some reviewers suggest that the film's pacing is slower and may feel episodic, which can challenge viewers accustomed to more conventional narrative structures. The movie's intimate portrayal of relationships set in the unique environment of a love hotel is noted as both its strength and a reason for its niche appeal. While it may not have widespread acclaim, it remains a significant and respectful representation of its themes. Due to limited availability, it doesn’t have aggregated ratings on major platforms like Rotten Tomatoes or Metacritic but maintains a steady interest within specialized film circles.