Exploitation streaming
Genre
Drama
Year
2018
Runtime
1h47

0

Metascore

Exploitation

Unmasking the darkness behind the silver screen.

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Synopsis

"Exploitation" (2018) is a dark, provocative thriller that centers on a woman, played by Erica Leigh Boseski, who finds herself trapped in the dangerous underbelly of the film industry. The narrative explores themes of manipulation, objectification, and survival amid the exploitation present in the world of low-budget filmmaking. As the protagonist navigates treacherous personal and professional waters, the movie offers a raw, unflinching look into the psychological and emotional toll experienced by those caught in exploitative circumstances. The story challenges viewers to confront uncomfortable realities about power dynamics and consent within entertainment.

Reviews

Critically, "Exploitation" received largely mixed to negative feedback. On IMDb, it holds a low rating of 4.0/10, reflecting viewer dissatisfaction and critiques surrounding its storytelling and execution. Many reviewers noted that while the film's premise was compelling, it suffered from pacing issues and a sometimes unfocused narrative. Some critics commended Erica Leigh Boseski's intense performance, praising her ability to convey vulnerability and resilience under pressure. However, others felt the film struggled to balance its artistic ambitions with coherent storytelling. For instance, several reviewers highlighted that the movie's attempt to depict harsh realities sometimes came off as heavy-handed or exploitative itself, a point of contention given the thematic material. Rotten Tomatoes does not have an aggregated critic score for this film, indicating limited mainstream critical coverage, but user reviews reflect disappointment, citing a lack of depth and uneven direction. Despite its flaws, "Exploitation" has been noted in some circles for sparking conversations about the darker side of film production and the exploitation of performers, which some appreciate as a bold if imperfect exploration.

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