- Genre
- Drama
- Year
- 2009
- Runtime
- 1 season
0
Taking the Flak
Where chaos meets comedy in the frontline of news.
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Synopsis
Taking the Flak is a British comedy series that aired in 2009, created by a talented team led by writer and actor Mackenzie Crook. Set against the backdrop of a fictional war zone, the show follows the misadventures of a group of journalists stationed in a chaotic environment as they strive for the next big scoop amidst the pandemonium of modern warfare. The humor is sharp and absurd, as the characters navigate through corruption, military absurdities, and their own personal dramas. The clever writing combines wit with a poignant critique of the mediaโs relationship with war, providing both laughs and thought-provoking moments. With its memorable characters and unique setting, Taking the Flak offers an entertaining glimpse into the often absurd world of frontline reporting. Viewers are treated to a blend of dark humor and satirical commentary that highlights the challenges faced by journalists in a conflict zone, making it a compelling watch for fans of clever comedy.
Cast
Reviews
Taking the Flak has received a generally positive reception, with an IMDb rating of 7.3/10 showcasing its appeal. Critics have praised the show's clever approach to storytelling. A review on The Guardian mentions, "Mackenzie Crook's writing is both insightful and hilariously absurd, creating a world that feels chaotic yet authentically relatable." The series adeptly combines humor with serious themes regarding the media's portrayal of war, making it resonate with viewers who appreciate more than just slapstick comedy. Meanwhile, Den of Geek highlights the ensemble cast, stating, "The characters are quirky, engaging, and embody the cluelessness often found in war correspondents, making for comedic gold." However, some reviews note a lack of depth in character development, suggesting that while the humor is potent, deeper narrative arcs could have enhanced the experience. Despite this, the show's strong premise and satire have garnered it a favorable position among contemporary British comedies, often included in discussions of genre-redefining works.
