- Genre
- Drama
- Year
- 2014
- Runtime
- 1h29
0
The Disappearance of Eleanor Rigby: Him
Two hearts, one story—love told from every side.
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Synopsis
The Disappearance of Eleanor Rigby: Him (2014) is a poignant drama directed by Ned Benson that offers an intimate glimpse into a fractured relationship from the male perspective. The story follows Conor Ludlow, portrayed by James McAvoy, a young man grappling with the emotional aftermath of a traumatic event that deeply affects his bond with Eleanor Rigby. As he navigates feelings of love, loss, and identity, the film unpacks the complexities of communication and emotional isolation in a compelling, introspective manner. Told with subtlety and emotional depth, it provides a nuanced examination of how two individuals confront their shared pain differently.
Cast
Reviews
Critical reception for The Disappearance of Eleanor Rigby: Him has been mixed to moderately positive, reflected in its scores: IMDb rated it 6.8/10 and Metacritic assigned a 63/100, indicating generally favorable reviews. Critics have praised James McAvoy’s heartfelt and vulnerable performance, highlighting his ability to capture Conor's emotional turmoil with sincerity. Rotten Tomatoes notes the film's thoughtful narrative approach, with a consensus remarking on its unique structure—part of a trilogy exploring both partners’ perspectives—which brings a fresh take on romantic drama. However, some reviewers found the film's pacing slow and narrative fragmented when viewed alone without its counterparts, which slightly diminishes the overall impact. The Guardian appreciated the film’s honesty and emotional resonance but pointed out that it demands patience from audiences due to its contemplative tone. Meanwhile, Variety emphasized the film’s ambition to explore grief and reconciliation in an unconventional format but felt that it sometimes gets lost in its introspection. Overall, it’s regarded as a sincere and complex portrayal of love’s challenges, best appreciated as part of the full Eleanor Rigby trilogy.
